Questions
- Do you only work on metal?
- The room is built around metal and aggressive music—that is where the ear is calibrated longest. Adjacent loud genres are fair game if the material fits the room’s strengths.
- What should I send for mastering?
- Stereo mix at the highest practical bit depth, without clipping the master bus. Leave headroom; we will gain-stage. If you printed hot “for loudness,” say so—we will work with reality, not mythology.
- Stems or stereo?
- Stereo first. Stems when we agree the song needs it—priced and scoped separately so we never half-remix a mix by accident.
- How loud will my master be?
- Loud enough for your genre and platform targets, without erasing punch and motion. If you want a brick wall with no transient left, we can talk—but you will hear the tradeoff before it ships.
- How fast is turnaround?
- Depends on queue and complexity. Ask in email with a real deadline and we will tell you if it is possible without ruining the work.
- Revisions?
- One round of meaningful tweaks is normal when we missed the mark. Vague “make it louder” loops without a reference are not a revision strategy.
Still stuck?
Email or use the Links page—same destinations, pick your tool.